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Guitar Gallows Bio Information - Geddy Lee
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Geddy Lee OC (born Gary Lee Weinrib; July 29, 1953) is a Canadian musician, best known as the lead vocalist, bassist, and keyboardist for the Canadian rock group Rush. Lee joined Rush in September 1968 at the request of his childhood friend Alex Lifeson in order to replace frontman Jeff Jones.

An award-winning musician, Lee's style, technique, and skill on the bass guitar have proven very influential in the rock and heavy metal genres, inspiring such players as Steve Harris of Iron Maiden, John Myung of Dream Theater, Les Claypool of Primus, and Cliff Burton of Metallica.

In addition to his composing, arranging, and performing duties for Rush, Lee has produced albums for various other bands, including Rocket Science. Lee's first solo effort, My Favourite Headache, was released in 2000.

Along with his Rush bandmates—Lifeson and drummer Neil Peart—Lee was made an Officer of the Order of Canada on May 9, 1996. The trio was the first rock band to be so honored, as a group.
On May 1, 2007, Rush released Snakes & Arrows, their eighteenth full-length studio album. Lee and the rest of the band recently toured in support of Snakes & Arrows across North America, which began in Atlanta, GA on June 13, 2007 and ended its second leg on July 24, 2008.

Geddy Lee was born Gary Lee Weinrib on July 29, 1953 in Willowdale, Toronto. Lee's stage name, Geddy, was inspired by his mother's heavily-accented pronunciation of his given first name, Gary, and it later became his high school nickname before he adopted it as his stage name. Lee's parents were Jewish refugees from Poland who had been survivors of Nazi concentration camps Dachau and Bergen-Belsen during World War II. In 2004, Canadian Jewish News featured Lee's reflections on his mother's experiences as a refugee, and of his own Jewish heritage.

Lee married Nancy Young in 1976. They have a son and a daughter. Lee attended the same elementary school as the well-known comedian Rick Moranis, of SCTV fame.

The bulk of Lee's work in music has been with Rush (see Rush discography). However, Lee has also contributed to a body of work outside of his involvement with the band through guest appearances and album production. In 1981, Lee was the featured guest for the hit song "Take Off" and its included comedic commentary with Bob and Doug McKenzie (played by Rick Moranis and Dave Thomas, respectively) for the McKenzie Brothers' comedy album Great White North. The following year, Lee produced the debut (and only) album from Toronto new wave band Boys Brigade. On the 1985 album We Are the World, by humanitarian consortium USA for Africa, Lee recorded guest vocals for the song "Tears Are Not Enough".[13] Apart from band contributions, Lee sang the Canadian National Anthem in front of a full crowd at Camden Yards for the 1993 All-Star Game.

Another version of "O Canada" in rock format was recorded by Lee and Lifeson on the accompanying soundtrack CD for the Trey Parker and Matt Stone film South Park: Bigger, Longer, and Uncut released in 1999.

My Favourite Headache, Lee's first solo album, was released in November 2000 while Rush was on a hiatus due to tragedies in drummer Neil Peart's life. Lee appeared in Broken Social Scene's music video for their 2006 single "Fire Eye'd Boy", judging the band while they perform various musical tasks, and in 2006, Lee joined Lifeson's supergroup the Big Dirty Band, to provide songs accompanying Trailer Park Boys: The Movie.

For his first local gigs in the early 1970s and Rush's debut album, Lee used a Fender Precision Bass. From Fly By Night onward, Lee favored Rickenbacker basses, particularly the 4001 model, and a Fender Jazz Bass which is heard on Permanent Waves, Moving Pictures, Signals and the supporting tours. In 1981, Lee began using the compact, headless Steinberger bass, which he used occasionally on the supporting tour for Signals and for many tracks on their follow-up, Grace Under Pressure and Power Windows. From 1985 to 1992, Lee used British Wal basses. He switched back to Fender Jazz Basses for the recording of Counterparts in 1993, and has been using them virtually exclusively since, heard on albums Test For Echo, Vapor Trails, Feedback and Snakes & Arrows. However, he used a Fender Jaco Pastorius Tribute fretless replica bass for the song "Malignant Narcissism" on Snakes & Arrows, and a Fender Custom Shop Jazz with an Alder Body and a Flamed Maple top in Transparent Red for songs in an alternate tuning during the last several tours. In 1998, Fender released the Geddy Lee Jazz Bass, available in Black  and 3-Colour Sunburst  (as of 2009). This signature model is a recreation of Lee's favorite bass, a 1973 Fender Jazz that he bought in a pawn shop in Kalamazoo, Michigan. On all of his basses, Lee uses Rotosound Swing Bass 66 Stainless Steel round-wound strings. Lee once again used his Rickenbacker 4001 for the performance of "A Passage To Bangkok" on the 2007 and 2008 Snakes & Arrows Tour.

Lee's amps in the early days were arena-ready Sunn and/or Ampeg models. By the late seventies, his backline had evolved into a configuration of Ashly preamps and BGW power amps, which were run in stereo with his 4001 bass. The neck pickup was sent to one amp and set for a clean, bass-heavy tone, while the bridge pickup was sent to the other amp which was set with an exaggerated treble boost, and extra gain in the preamp. This defined Lee's bass sound from 1977 to 1982. Though he would change basses, the amplifier setup remained constant through 1991. For the Roll the Bones tour (1991–1992), Lee switched to Gallien-Krueger amps, and later to Trace Elliots.

Beginning in 2002, Lee dispensed with using a single bass guitar amplifier in favor of a chain of amplifiers and DI units, which allow the bass guitar to be connected directly to the stage and front-of-house mixers without involving microphones. Lee began using in-ear monitors at this point.

At the beginning of the 2002 Vapor trails tour, Lee revised his previous setup. His bass signal is sent via a Samson wireless unit to an Avalon U5 DI. From there it is split between a Trace Elliot Quadravalve all-tube power amplifier and a SansAmp RBI rackmountable preamp. The speaker-level signal from the Quadravalve is sent to a Palmer PD-05 speaker emulator, which provides adequate load for the tube amplifier and attenuates the signal down to line level. The signals from the U5, Quadravalve/PD-05, and RBI are all sent to the monitor and front-of-house mixers and blends of the signals are changed on a song-by-song basis. Typically the Quadravalve/PD-05 signal makes up the low end while a balance of the U5 and RBI make up the high end, with the RBI providing the "top end" distortion in Lee's sound.

For the 2007 Snakes and Arrows tour, Lee swapped the SansAmp RBI for a new unit by Sansamp, the RPM. During preparation for this tour a feature on bassplayer.tv with his live bass tech, Russ Ryan, was filmed, detailing Lee's live signal path.

Over the years, Lee's keyboards have featured synthesizers from Oberheim (Eight-voice, OB-1, OB-X, OB-Xa), PPG (Wave 2.2 and 2.3), Roland (Jupiter 8, D-50, XV-5080, and most recently a Fantom X7 on the Snakes and Arrows tour), Moog (Minimoog, Taurus bass pedals, Moog Little Phatty), and Yamaha (DX7, Yamaha KX76). Lee used sequencers early in their development and has continued to use similar innovations as they have developed over the years. Lee has also made use of digital samplers. Combined, these electronic devices have supplied many memorable keyboard sounds, such as the "growl" in "Tom Sawyer" and the melody featured in the chorus of "The Spirit of Radio".

With 1993's Counterparts, Rush reduced most keyboard- and synthesizer-derived sounds in their compositions, and they continued to do so with each successive album. In 2002, the band produced an album—Vapor Trails—that was completely free of keyboards and synthesizers, featuring only voice, guitar, bass guitar, drums and percussion. With the release of 2007's Snakes & Arrows, Lee sparingly adds a Mellotron to the instrument line-up. However, it does not mark a return to a "synth" sound for the band. Much like Vapor Trails, the music is primarily recorded with multiple layers of guitars, bass, drums and percussion.

As of 1996, Lee no longer uses traditional bass amplifiers on stage, as he prefers to go direct into the venue's FOH console which helps the sound reinforcement during their concerts. Faced with the dilemma of what to do with the empty space left behind by the lack of large amplifier cabinets, Lee chose to fill the space in a unique way. For the 2002 Vapor Trails tour, Lee lined his side of the stage with three coin-operated Maytag dryers. Other large appliances would appear later in the same space. (Lee had earlier decorated his side of the stage with unusual items. For the 1996-1997 Test for Echo tour, Lee's side sported a fully-stocked old-fashioned household refrigerator.)